At Christmas I discovered that my Mum keeps her jewellery in a re-purposed ice-cream tub where it all gets tangled up. I was therefore on a mission to make her something more suitable as a Mother's Day gift. March craft club gave me the perfect opportunity as she was out of the country and so I could finally make something without her knowledge.
Inspired by a small felt pouch I keep two special necklaces in, I dug out my felt supplies and the button box and started playing around with colour combinations. In the end I settled for some large wooden buttons printed with blue flowers, some navy blue and sky blue felt, and some petrol blue embroidery thread.
I took a square of the sky blue felt and folded it in half. I then used this to cut some navy felt the same width but slightly longer so that the finished pouch could be closed with a flap and secured with one of the buttons. Lining up the two folded bits of felt I then sewed around the edges. All that was left to do was to decide on the position of the button, sew it on and cut a button hole.
This arrangement of folded felt gave the finished case three separate pouches - between the fold of the sky blue felt, between the fold of the navy blue felt, and also in the middle between the navy and sky blue felt. Hopefully, this will help separate items and prevent tangling. I then repeated the process in miniature to make a matching pouch for earrings and rings.
I'm pleased to say that my Mum is now back in the country and was delighted to receive the jewellery pouches as a belated Mother's Day gift. Not only will it be a vast improvement on the ice-cream tub but will hopefully also allow her to travel with a selection of necklaces and earrings.
Come to think of it, perhaps I should make myself a set too!
Sunday, 9 April 2017
Sunday, 2 April 2017
Hapa Zome Leaf Prints
A few weekends ago my friend's 9-year-old daughter wanted to share a new craft with me. She called it Japanese Leaf Printing but that was all I was told except that we first needed to go for a walk to find our leaves.
Intrigued, I joined the family in putting on coats, hats and gloves (it was a wet and windy day) and went out in search of suitable leaves. I was instructed to look for nicely shaped leaves that were fairly fleshy but not at all waxed. So, grass, nettles, dock leaves, bracken were good; ivy, holly, gorse were bad although I did sneak in some gorse petals as I was keen to try some colour.
Back at home we gathered together our leaves along with a chopping board, a couple of sheets of card (this need be nothing special so bits of an empty cereal box would work fine), two squares of white fabric (ours were cut from an old sheet) and, most importantly, a hammer. Using the chopping board as our base we then layered our other items beginning with a sheet of card, a sheet of fabric, our leaves arranged in an attractive fashion, the second sheet of fabric and, finally, the second sheet of card.
The fun then began. Using the hammer you just pound the pile of card, fabric and leaves. Do so in such a way as to ensure you apply equal pressure evenly across all areas where there are leaves but be careful not to disturb the layers of card, fabric and leaves as you pound.
I have to say that, at this point, I was fairly sceptical but once all the hammering was over I was pretty amazed to see the results revealed. Carefully remove the top layer of card and fabric and then, even more carefully, remove the now pulverised leaves.
Not only do you get leaf shapes imprinted as the chlorophyl leaches into the fibres of the fabric, but some leaves also revealed the most intricate details. Passing a hot steam iron over the finished results is supposed to help fix the image but, this being all natural, the colours will fade over time. Also, the bottom layer of fabric seems to pick up the leaf definition better than the top.
My friend's daughter gave me the top layer to bring home as a souvenir. The first image is of a bracken leaf with some hints of the gorse petals I snuck in at the top. The second image is of a nettle.
I was so impressed that I showed a friend. We were in my kitchen and it was dark outside so I demonstrated using the herbs from the windowsill. The thyme and parsley left my friend speechless (and also smelled great when being hammered!)
I've since found out that the Japanese name for this type of printing is Hapa Zome but that many cultures around the world have been using this method for extracting dye or colour for centuries. Other examples I've seen on the internet are much more vivid so I guess you could be a lot more forceful with the hammer than I was. Just make sure you have a very solid foundation such as an unbreakable floor.
Do give it a go!
Intrigued, I joined the family in putting on coats, hats and gloves (it was a wet and windy day) and went out in search of suitable leaves. I was instructed to look for nicely shaped leaves that were fairly fleshy but not at all waxed. So, grass, nettles, dock leaves, bracken were good; ivy, holly, gorse were bad although I did sneak in some gorse petals as I was keen to try some colour.
Back at home we gathered together our leaves along with a chopping board, a couple of sheets of card (this need be nothing special so bits of an empty cereal box would work fine), two squares of white fabric (ours were cut from an old sheet) and, most importantly, a hammer. Using the chopping board as our base we then layered our other items beginning with a sheet of card, a sheet of fabric, our leaves arranged in an attractive fashion, the second sheet of fabric and, finally, the second sheet of card.
The fun then began. Using the hammer you just pound the pile of card, fabric and leaves. Do so in such a way as to ensure you apply equal pressure evenly across all areas where there are leaves but be careful not to disturb the layers of card, fabric and leaves as you pound.
I have to say that, at this point, I was fairly sceptical but once all the hammering was over I was pretty amazed to see the results revealed. Carefully remove the top layer of card and fabric and then, even more carefully, remove the now pulverised leaves.
Not only do you get leaf shapes imprinted as the chlorophyl leaches into the fibres of the fabric, but some leaves also revealed the most intricate details. Passing a hot steam iron over the finished results is supposed to help fix the image but, this being all natural, the colours will fade over time. Also, the bottom layer of fabric seems to pick up the leaf definition better than the top.
My friend's daughter gave me the top layer to bring home as a souvenir. The first image is of a bracken leaf with some hints of the gorse petals I snuck in at the top. The second image is of a nettle.
I was so impressed that I showed a friend. We were in my kitchen and it was dark outside so I demonstrated using the herbs from the windowsill. The thyme and parsley left my friend speechless (and also smelled great when being hammered!)
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A sprig of thyme |
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Coriander (left) and Parsley (right) |
I've since found out that the Japanese name for this type of printing is Hapa Zome but that many cultures around the world have been using this method for extracting dye or colour for centuries. Other examples I've seen on the internet are much more vivid so I guess you could be a lot more forceful with the hammer than I was. Just make sure you have a very solid foundation such as an unbreakable floor.
Do give it a go!
Sunday, 5 March 2017
Race to the finish
As I mentioned in my last post, I have been working on two new appliqué blankets. These are for my goddaughter and her twin sister, who both happen to be Sea Scouts. I was therefore inspired to try a new maritime design.
Sailing is hardly an alien concept to me, having spent most weekends from the age of zero to about when I began senior school either watching my Dad race a sailing dingy or messing around on small sailing vessels myself. My new design attempts to be fairly realistic in capturing the essence of a yacht race, but without getting too technical. Well, there is a limit to what you can achieve with shapes of fabric and a zigzag stitch on a sewing machine!
Anyway, I hope you like the finished results. I had a text to say that the recipients certainly do, which is always great to hear.
I enjoyed making them so much I feel somewhat bereft this weekend now that they are complete. I'm going to have to come up with an excuse to make another very soon. Perhaps the guest bedroom needs a make-over?
Sailing is hardly an alien concept to me, having spent most weekends from the age of zero to about when I began senior school either watching my Dad race a sailing dingy or messing around on small sailing vessels myself. My new design attempts to be fairly realistic in capturing the essence of a yacht race, but without getting too technical. Well, there is a limit to what you can achieve with shapes of fabric and a zigzag stitch on a sewing machine!
Anyway, I hope you like the finished results. I had a text to say that the recipients certainly do, which is always great to hear.
I enjoyed making them so much I feel somewhat bereft this weekend now that they are complete. I'm going to have to come up with an excuse to make another very soon. Perhaps the guest bedroom needs a make-over?
Sunday, 5 February 2017
Blanket weather
The past few weeks have definitely constituted 'blanket weather' in my opinion and it seems that I'm not alone in feeling this way.
So, with the cat making the most of one fleecy blanket, I have begun work on a new appliqué design to make some more. To date I have tried elephants, birds and butterflies. This new design is inspired by a couple of young sea scouts that I know, who happen to have birthdays approaching...
So, with the cat making the most of one fleecy blanket, I have begun work on a new appliqué design to make some more. To date I have tried elephants, birds and butterflies. This new design is inspired by a couple of young sea scouts that I know, who happen to have birthdays approaching...
I'm pretty excited and pleased with progress to date and hope to bring you a full set of photos in the next few weeks. In the meantime, I'd better get back to cutting and sewing...
Sunday, 22 January 2017
Macaroons with a twist
I've not made macaroons before and always imagined they were tricky, fragile and temperamental. How wrong I was!
Yesterday was the first craft club of 2017 and I had volunteered to take along some cake for our mid-afternoon snack. Trawling through my recipe folder I found a recipe which I think originally came from the Waitrose Kitchen magazine. It was for Date and Walnut Ricciarelli - a type for macaroon which originates from the Italian city of Siena. I think, traditionally, these are a fairly regular almond macaroon but this version has the added zing of orange zest, a hint of orange blossom water, and sweet chewiness of chopped dates.
The list of instructions was minimal but I was concerned how sloppy the mixture would be and, consequently, how messy they would be to roll into a ball and place onto the baking tray. My concerns were completely unfounded and they turned out just like the picture. They also tasted amazing, with everyone asking for the recipe.
These are definitely going to become part of my repertoire for 2017. Delicious!
Tuesday, 17 January 2017
Mission: poncho
Have you ever started a project and then quickly regretted it? My latest project began in exactly this way.
A few years ago I spotted the instructions for a lovely crocheted poncho in a magazine. The pattern didn't look too complicated - the instructions only covered one page - and it seemed to consist more of holes than yarn so I was keen to have a go.
The opportunity arose when I found out that my poncho-loving friend was going to be spending a month in the UK over Christmas and so I decided to make it for her as a Christmas present. However, as someone who only wears black, I first had to track down some suitable yarn.
The pattern is from the yarn company Bergère de France (from their magazine 166 if you are interested). It's a lace-weight cotton and, perhaps understandably, comes in lovely summery shades, but not black. However, I managed to track down an almost identical weight yarn by Rico Design and was all ready to begin. It was mid-December and was due to meet up with my friend in mid-January so I was feeling confident.
That was until I actually read the pattern. The first instruction was to create a chain of 667 stitches. A bit bewildered as to how I was going to manage to keep count, a colleague at work suggested I put a marker every 50 or 100 stitches. Of course, simple really! So, armed with a collection of unusual but, for this purpose perfect, safety pins I set off.
Having proudly produced a chain of 667 stitches I looked at the next instruction which was for a series of quadruple-treble stitches linked by chains of 11. Don't worry if you are not a crocheter and this makes no sense to you because I had never come across a 'quadruple-treble' stitch before either so was quickly seeking out instructions before I tentatively set off to complete row one of the poncho...
An hour and a half later I completed the first row. Yes, you read that correctly. It took me an hour and a half to complete one row of the poncho. Only 61 to go! Yes, it was at this point that I had serious doubts about my choice of project/Christmas present. I was also thinking if it would be possible to delay meeting up with my friend, perhaps only agreeing to wave her goodbye at the airport as she flew home again?! Friends were also trying to convince me to give it as a Christmas present in 2017 or even in 2018. However, I am a stubborn - I mean determined - soul and so I ploughed on.
No need to ask or even guess what I did this Christmas and New Year. I crocheted! When it rained - I crocheted. When others were going out walking on lovely crisp sunny days - I crocheted. When I babysat - I crocheted. When I thought about going to the cinema to see that interesting new film by Jim Jarmusch/J.A. Byona - I stayed in and crocheted!
I do have to say that not every row took 1.5 hours. Just two rows in every seven. Two of the rows I could complete in a speedy 15 minutes, and the big loopy rows could each be completed in about 20 minutes. There was a little complication around the opening at the neck (which made a hole far to big but I resolved that at the end by adding a couple of rows to the neck hole) but in the end I completed the final row after about 50 hours of crocheting. I also enjoyed as many hours of podcasts thanks to BBC's Drama of the week and NPR's TED Radio Hour which inspired, entertained and educated in equal measure.
It did take me a further 2.5 hours to finish off the ends and add the tassels, but this final step completely transformed it from a pile of yarn I was, quite frankly, sick of seeing to a really lovely garment.
I completed it just 14 hours before I boarded a bus to meet my friend but it was complete and I was very pleased with the result. I was even more pleased with my friend's reaction. She absolutely loved it. That was worth every hour - every minute - of work I had put in.
Mind you, that doesn't mean I'm going to be rushing to make another one for quite some time. If ever!
A few years ago I spotted the instructions for a lovely crocheted poncho in a magazine. The pattern didn't look too complicated - the instructions only covered one page - and it seemed to consist more of holes than yarn so I was keen to have a go.
The opportunity arose when I found out that my poncho-loving friend was going to be spending a month in the UK over Christmas and so I decided to make it for her as a Christmas present. However, as someone who only wears black, I first had to track down some suitable yarn.
The pattern is from the yarn company Bergère de France (from their magazine 166 if you are interested). It's a lace-weight cotton and, perhaps understandably, comes in lovely summery shades, but not black. However, I managed to track down an almost identical weight yarn by Rico Design and was all ready to begin. It was mid-December and was due to meet up with my friend in mid-January so I was feeling confident.
That was until I actually read the pattern. The first instruction was to create a chain of 667 stitches. A bit bewildered as to how I was going to manage to keep count, a colleague at work suggested I put a marker every 50 or 100 stitches. Of course, simple really! So, armed with a collection of unusual but, for this purpose perfect, safety pins I set off.
![]() |
Unusual safety pins, perfect as stitch markers |
Having proudly produced a chain of 667 stitches I looked at the next instruction which was for a series of quadruple-treble stitches linked by chains of 11. Don't worry if you are not a crocheter and this makes no sense to you because I had never come across a 'quadruple-treble' stitch before either so was quickly seeking out instructions before I tentatively set off to complete row one of the poncho...
An hour and a half later I completed the first row. Yes, you read that correctly. It took me an hour and a half to complete one row of the poncho. Only 61 to go! Yes, it was at this point that I had serious doubts about my choice of project/Christmas present. I was also thinking if it would be possible to delay meeting up with my friend, perhaps only agreeing to wave her goodbye at the airport as she flew home again?! Friends were also trying to convince me to give it as a Christmas present in 2017 or even in 2018. However, I am a stubborn - I mean determined - soul and so I ploughed on.
No need to ask or even guess what I did this Christmas and New Year. I crocheted! When it rained - I crocheted. When others were going out walking on lovely crisp sunny days - I crocheted. When I babysat - I crocheted. When I thought about going to the cinema to see that interesting new film by Jim Jarmusch/J.A. Byona - I stayed in and crocheted!
I do have to say that not every row took 1.5 hours. Just two rows in every seven. Two of the rows I could complete in a speedy 15 minutes, and the big loopy rows could each be completed in about 20 minutes. There was a little complication around the opening at the neck (which made a hole far to big but I resolved that at the end by adding a couple of rows to the neck hole) but in the end I completed the final row after about 50 hours of crocheting. I also enjoyed as many hours of podcasts thanks to BBC's Drama of the week and NPR's TED Radio Hour which inspired, entertained and educated in equal measure.
It did take me a further 2.5 hours to finish off the ends and add the tassels, but this final step completely transformed it from a pile of yarn I was, quite frankly, sick of seeing to a really lovely garment.
I completed it just 14 hours before I boarded a bus to meet my friend but it was complete and I was very pleased with the result. I was even more pleased with my friend's reaction. She absolutely loved it. That was worth every hour - every minute - of work I had put in.
Mind you, that doesn't mean I'm going to be rushing to make another one for quite some time. If ever!
Sunday, 1 January 2017
Pavlova Bar
What better way can there be to see in the New Year than helping yourself from a Pavlova Bar? Exactly! So, that's just was I created as my contribution for this year's gathering: three different flavoured meringues; a selection of fruit, some soaked in booze and some completely unadulterated; a couple of sauces; and a pile of whipped cream. What could be simpler for people to help themselves from throughout the evening.
I began the day before by making the meringues. I used three egg whites per flavour which gave me five meringues of each, fifteen in total. Weigh the egg whites and then weigh out twice the weight in caster sugar in a separate bowl. Using a large, very clean bowl and an electric hand whisk, whisk the egg whites until they form stiff peaks. Then, very slowly (about a dessertspoon at a time) add the sugar, whisking in each spoonful thoroughly before adding the next. Once all the sugar is mixed in, continue whisking for another 5 minutes until the sugar has dissolved into the egg whites. If you put a small blob of the mixture between your finger and thumb and rub together you shouldn't be able to feel the sugar granules.
Once you reach this point you can add your flavourings. For chocolate, fold in a dessertspoon of sifted cocoa powder so that you have a marbled effect. For a nutty flavour, stir in 2 tablespoons of finely chopped nuts - I used hazelnuts but you could use pistachios. For something fruity, buy a tube of freeze dried berries - you can buy freeze dried raspberries and strawberries in a tube in the baking section of a decent supermarket - grind up about a dessertspoon of your chosen flavour to a fine powder and fold this into the egg white mixture.
Meanwhile, draw 10cm circles spaced across a sheet of non-stick baking paper, turn the paper so the drawing is on the underside and place on a baking sheet. Heat your oven to 100C. You should still be able to see the drawn circles through the baking paper and so use these as a guide as you dollop your meringue mix onto the baking sheet into a series of discs, leaving a dip in the middle of each (to eventually pile in your cream and toppings). For the berry meringue you could add a few drops of pink food colouring gel to the top of each meringue disc and gently swirl these in with a cocktail stick. If you choose to make pistachio meringue you could do the same with green food colouring. You could also dust the chocolate meringues with a little cocoa powder. Bake for 1.5 hours then leave in the oven to cool, opening the oven door slightly to let any moisture escape.
Repeat the process until you have enough meringues in sufficient flavours.
The rest should be fairly simple. Grab a selection of fruit. I defrosted some cherries, popped in some dried cherries and soaked the whole lot overnight in a generous splash of Kirsch. I also used fresh blueberries, raspberries and blackberries. I chose to provide a salted caramel sauce and some lemon curd 'thinned' to pouring consistency using limoncello.
Actually, lemon curd is a bit of a must, not least because it's one of the things you can make with the egg yolks you have left over after making all that meringue. I found a recipe on line that used all egg yolks rather than a mixture of yolks and whole eggs. I adjusted the quantities as appropriate - I had nine egg yolks to use up which produced two and a half jars of lemon curd. The half jar perfect for adding to the pavlova bar.
Huge thanks to Sainsbury's Magazine and The Meringue Girls for the inspiration, K for the use of her tiered tea plates and table runner and for making the bar sign and to J for the party. Happy 2017 to one and all!
I began the day before by making the meringues. I used three egg whites per flavour which gave me five meringues of each, fifteen in total. Weigh the egg whites and then weigh out twice the weight in caster sugar in a separate bowl. Using a large, very clean bowl and an electric hand whisk, whisk the egg whites until they form stiff peaks. Then, very slowly (about a dessertspoon at a time) add the sugar, whisking in each spoonful thoroughly before adding the next. Once all the sugar is mixed in, continue whisking for another 5 minutes until the sugar has dissolved into the egg whites. If you put a small blob of the mixture between your finger and thumb and rub together you shouldn't be able to feel the sugar granules.
Once you reach this point you can add your flavourings. For chocolate, fold in a dessertspoon of sifted cocoa powder so that you have a marbled effect. For a nutty flavour, stir in 2 tablespoons of finely chopped nuts - I used hazelnuts but you could use pistachios. For something fruity, buy a tube of freeze dried berries - you can buy freeze dried raspberries and strawberries in a tube in the baking section of a decent supermarket - grind up about a dessertspoon of your chosen flavour to a fine powder and fold this into the egg white mixture.
Meanwhile, draw 10cm circles spaced across a sheet of non-stick baking paper, turn the paper so the drawing is on the underside and place on a baking sheet. Heat your oven to 100C. You should still be able to see the drawn circles through the baking paper and so use these as a guide as you dollop your meringue mix onto the baking sheet into a series of discs, leaving a dip in the middle of each (to eventually pile in your cream and toppings). For the berry meringue you could add a few drops of pink food colouring gel to the top of each meringue disc and gently swirl these in with a cocktail stick. If you choose to make pistachio meringue you could do the same with green food colouring. You could also dust the chocolate meringues with a little cocoa powder. Bake for 1.5 hours then leave in the oven to cool, opening the oven door slightly to let any moisture escape.
Repeat the process until you have enough meringues in sufficient flavours.
The rest should be fairly simple. Grab a selection of fruit. I defrosted some cherries, popped in some dried cherries and soaked the whole lot overnight in a generous splash of Kirsch. I also used fresh blueberries, raspberries and blackberries. I chose to provide a salted caramel sauce and some lemon curd 'thinned' to pouring consistency using limoncello.
Huge thanks to Sainsbury's Magazine and The Meringue Girls for the inspiration, K for the use of her tiered tea plates and table runner and for making the bar sign and to J for the party. Happy 2017 to one and all!
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